In the vast panorama of jazz, Sonny Rollins’ “Tenor…
In 1974, Patrice Rushen released her debut album “Prelusion,” a seminal work that showcased her extraordinary abilities as a pianist, composer, and arranger. With an ensemble of top-notch musicians, Rushen’s “Prelusion” combines post-bop styles with an undeniable sense of innovation, offering a glimpse into the bright future of this talented artist.
Recorded at Fantasy Studios in Berkeley, California, and released on the Prestige label, “Prelusion” features five unique tracks, each composed and arranged by Rushen herself. The recording sessions took place in January and February of 1974, setting the stage for Rushen’s impressive career.
At the heart of this album is Rushen, a prodigiously talented musician who, at just 20 years old, dazzled her peers and critics alike. Accompanying her on this journey are Tony Dumas on electric bass, Leon “Ndugu” Chancler on drums, Kenneth Nash on percussion, Joe Henderson on tenor saxophone, Hadley Caliman on flute and alto flute, Oscar Brashear on trumpet and flugelhorn, and George Bohanon on trombone.
Patrice Rushen, already an accomplished pianist at the time of “Prelusion,” showed a deep understanding of jazz traditions and a strong inclination towards improvisation. Her unique blend of classical training and contemporary influences allowed her to create an original sound that resonated with audiences and critics alike.
Tony Dumas, a bassist known for his innovative approach to the electric bass, brought his “blitz” bass technique to the album. His virtuosic playing added a new dimension to Rushen’s compositions and set the stage for an exciting collaboration between the two musicians.
Drummer Leon “Ndugu” Chancler, already an established session musician, showcased his versatile playing on “Prelusion.” His background in rhythm and blues, funk, and jazz allowed him to adapt to the varying styles present on the album, adding a distinct flavor to each track.
Among the standout tracks on “Prelusion” are “Shortie’s Portion,” “7/73,” and “Haw Right Now.” “Shortie’s Portion” opens the album with a captivating melody, providing a lively introduction to Rushen’s post-bop fusion style. Henderson’s tenor saxophone and Rushen’s piano engage in a spirited dialogue, supported by a tight rhythm section that sets the tone for the rest of the album.
“7/73,” a 12-minute epic, showcases the full range of Rushen’s compositional prowess. The piece features elaborate arrangements and breathtaking solos from all of the musicians, especially Joe Henderson on tenor saxophone, whose improvisational brilliance shines throughout the track. The song’s dynamic shifts and rhythmic interplay make it a personal favorite of mine.
On “Haw Right Now,” Rushen’s electric piano takes center stage, supported by a groovy bassline and a driving rhythm section. The song demonstrates her ability to seamlessly blend elements of jazz, funk, and R&B, creating a sound that is both fresh and familiar.
The musical style of “Prelusion” can best be described as a fusion of post-bop jazz with elements of funk and R&B. Rushen’s compositions explore various themes, including rhythm, harmony, and melody, while showcasing her skill as an improviser and arranger.
Upon its release, “Prelusion” was met with critical acclaim, with reviewers praising Rushen’s innovative approach to jazz and her undeniable talent as a pianist and composer. The album’s impact on the jazz world was significant, as it introduced a new voice that would go on to shape the genre for years to come. “Prelusion” also signaled the arrival of a musician who was unafraid to push boundaries and explore new territory within the jazz idiom.
Today, “Prelusion” is regarded as a groundbreaking work that continues to inspire musicians and listeners alike. Its enduring significance can be attributed to Rushen’s innovative blending of styles, her distinctive compositional voice, and the exceptional musicianship of her ensemble. The album remains an essential listen for anyone interested in the evolution of jazz and the development of Rushen’s illustrious career.
In conclusion, Patrice Rushen’s “Prelusion” is a remarkable debut album that showcases the extraordinary talents of a young artist on the cusp of greatness. The album’s innovative fusion of styles, captivating compositions, and top-notch musicianship make it an essential listen for jazz enthusiasts and a testament to Rushen’s enduring legacy as a pioneering musician and composer.